Leslie Normans adaption of Lawlers highly acclaimed Summer of the Seventeenth Doll fails to explore the in-depth issues that Lawler deals with so poigantly in his play. This is the result of Normans intention to alter the play to burdenuate one over it more pleasing to his interview, however in doing so, he fails to stamp down the true tragedy that was the demise of the lay-off abd looses the take ins appeal altogether. The majority of the is frozen in Emmas shack in Carlton, where every room is surrounded by Olives kewpie dolls and sovierneers from Queensland expectant off a highly forgather and clastruphobic resolution. This setting adds to the ambience of the exaserbating tensions that Lawler captures by dint ofout the play. In contrast, Norman sets most of his motion picture extraneous the house, either at the pub or Luna Park, loosing the overall effect and making it difficult for his audience to experience a wizard of the build-up of tensions between the chara cters of Roo, Barney and Olive, that would ultimately lead to the tragic equipment failure. In the panorama of the play that shows the characters attempting to celebrate New Years Eve, Lawler gives insight to the feelings of loss from Olive, Roo and Barney by dint of Pearls cynical comment of Glamorous nights! I mean - get hold out at us!
which, unknown to her, creates an explosive effect of released feeling as olives resolve breaks and she crumples down and Barney turns his gaze from their raw(a) adversity and stares shamefacedly into his beer. This deeply tragic scene allows its audience to cleanse under stand the beginning of the characters realis! ation of their loss, hence, when the scene of the net breakdown occurs, they are filled with heartfelt misery for the characters. Whereas, the film shows a petty argument between Pearl and Olive, followed by a fun-filled... If you want to get a full essay, pitch it on our website: OrderCustomPaper.com
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