A Hard Days Night

Music is one of the Great Britains most wondrous contributions to the world, despite the tendency of medical specialtyal movements over the last four decades to engender cultures that appear to morally damage the social norms, especially on the youth. oft of the phenomenon can be attributed to the advent and development of video recording as a medium of communication, for telly has vastly catapulted the c beer of popular musicians to a completely new level. In a similar magnitude, flick has also communicate negative implications on how common people treat celebrities.Together with tv, cinema has dehumanized celebrities in such a way that society and culture, curiously in the west, have eventually nurtured goggle box viewers with mindless compliancy to the media as well as a fully developed dodge of glorifying celebrities and their radical behavior. The tremors of broadcast media and cinema have produced the concept of superficiality and preconceived opinion as a basi s for popularity. It is quite evident on how run into show stars, musicians, athletes, and commercial models are treated in restaurants and other cosmos go intos.The bowel movement picture A aphonic Days Night, for instance, exemplifies and tackles the backlash of the demeaning nature of popularity as felt by celebrities in a personal level since they themselves touch sensation the luxury of a normal life gradually departing from them. The context of the picture palace is inclined on the idea that the optic elements provided by cinema and goggle box create a following of a particular artist or group of artists based on appearance and not on talent.In analysis of the growing problem, Kevin Donnellys British Film Music and Musicals emphasizes the phenomenon of how A fleshy Days Night became the antidote to the venom brought virtually by cinema and televisions visuals in such a way that the focus is more on The Beatles music as the storyteller instead of the plot or the cas t themselves (Donnelly, 2007). stubborn to other movie theatres involving music artists such as the legendary Elvis Presley who has been the guinea pig of film pull backrs who did nothing but to exploit his popularity in film.Donnelly writes that the film virtually connects viewers to the band through the musical score which goes overturn in hand with the situation and emotions that the films scenes raise (2007). The songs suggest how the Beatles scorn about the fringe benefits of popularity while dealing with the punishing nature of their duties such as recording and touring. The virtual contact also happens as the motion picture shares the bands brutal torments of having a celebrity life while sacrificing their personal goals and interests.The visual technologies of cinema and film indeed contribute to the actuality that such mediums of communication make deities out of celebrities. In this sense, A Hard Days Night represents and reflects the the star-making machinery around The Beatles in such a way that it documents of The Beatles misadventures in the United States during the peak of their career. The bands earn with commercial success were represented through encounters of pursuit by virtue enforcers and a horde of fans as well as their appearances on cut conferences, endeavors with their agents, and hotel life (Balio, 1987).Therefore, Such circumstances are quite similar to the cases of advanced celebrities being sighted and chased on public places or being arrested for driving fast and under the influence of psychoactive substances. A Hard Days Night, meanwhile celebrates the bands stardom in a different manner, by highlighting the bands versatility as musicians since part of the film captures the bands latest compositions at the time, being played during utilize sessions, live performances, and informal set-ups (Balio, 1987).The films distinct approach to the topic subjects the tendency of visuals such as film and television as career booste rs in such a way that the showcase of the bands talent through live performances are shown, unlike traditional musician oriented films which make use of the artists record material. In a corresponding approach, A Hard Days Night unneurotic with the film and television industry serve as a irony of the star-making machinery around The Beatles as well as other celebrities and popular personalities, in the beginning because music is an art form which stimulates appreciation through hearing.As such, the devote medium of communication for expressing the art of music and recording artists is supposed to be the radio, not television, film, and definitely not print. The motion picture also insults the The Beatles as artists by humorously tackling the problem of pop fame, which the band members experience, through a medium that caused such a plague in the first place (Glynn, 2005).In addition, the polluting nature of television and cinema has once again make its presence felt as the visua ls have proven to be serviceable aids in exploiting artists and promoting the developed system of idolizing celebrities, which is in this case happens to be The Beatles. Furthermore, the visuals provided by television and film entombs true musical talent by taking away the recording artists musical credibility (Frith, 2002). Simon Frith (2002) however implies that sway is to be understood as a television product.The key elements and features of television and film, for Frith, have configured the manner of how the audience perceive music and musicians. Simon Frith writes that television has become largely responsible in the field of star-making for the reason that television with its emphasis on close-ups of the performer and musical virtuosity, particular types of staging and spectacle has added timber to musicians as celebrated public figures (2002).Frith also adds that the emergeance of music networks such as Music Television together with several music related television progr ams such as Top of the Pops have also aided artists in terms of promotion which affects components of stardom such as record sales and chart ratings (Frith, 2002). The advent of technology has indeed influenced the the norms and standards for treatment of celebrities.Visuals, in an unimaginable, have added gaminess to musicians as attractions to the public eye, with it, the innovation of promotion for recording artists have revolutionized. regardless if the changes brought about by the television and motion picture industry to the public status of career musicians have positive or negative undertones, the bottom-line sleek over goes down to a particular point, change. A change that has been felt intimately half a century after it has long been innovated and practiced.